on the Film Junk Podcast: Episode 973: Carry-On (2024)
Story
After decades of solitude, a wealthy family living in a salt mine encounters a stranger. Joshua Oppenheimer described the film as an exploration of whether we, as human beings, can reach a place where the guilt is too much to heal from our past.
Okay, I’m confused, but I’m interested
Overture Written by Josh Schmidt and Marius De Vries Presented by Josh Schmidt. Satire in a bunker and a singing musical?
Nice environmental backdrop (set)
At least a couple of good actors (especially Tilda Swindon), but they all play snobs, helpers, working-class caricatures… This is not science fiction.
Without spoiling anything, here’s what you can expect in 3 hours
There’s no backstory, no depth, no argument, and for some reason it felt like the guy never missed a meal after barely surviving something outside, even if he sang well. Theater with singing and discovering stories you could probably write about someone you hated (especially if you think global warming is solely the fault of a few rich people).
The ending is probably the best part of this movie
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